BOOK REVIEW: How Pleasure Works by Paul Bloom

How Pleasure Works: The New Science of Why We Like What We LikeHow Pleasure Works: The New Science of Why We Like What We Like by Paul Bloom

My rating: 3 of 5 stars

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Paul Bloom’s book is about why we take pleasure in peculiar actions, proclivities, and objects. These are the pleasures that aren’t readily or directly explained by our evolutionary hardwiring. Evolution has programmed us to experience pleasure with sex and eating to encourage procreation and nourishment. In other words, those who experienced pleasure with sex had sex more often, and passed on their genes more successfully. Those who had a healthy appetite, ate more, became stronger, survived, and passed on their genes.

However, just because the pleasure of sex is readily understood through biology, doesn’t give us insight into the panoply of activities that people find pleasurable in a sexual way that have no value for procreation whatsoever. Bloom uses the example of masochism, but there are all sorts of kinky fetishes out there that one might also consider. It’s the peculiar pleasures that Bloom tries to explain. This is not to suggest that Bloom’s book is entirely about food or sex. He addresses each of those subjects with a chapter of its own, but they aren’t the sum total of the book. Both he and I, no doubt, rely heavily on food and sex because they are such fundamental pleasures and ones whose domains have blossomed far beyond the dictates of biology.

So what does the book address besides food and sex? It examines why people collect things that were once owned by famous people? Bloom sites a study showing that Joshua Bell anonymously playing violin in the subway in street clothes can barely garner a collective $32 in an afternoon, even having been passed by people who will pay $200 each to hear him later that evening as he wears a tuxedo in a concert hall, though playing the same songs on the same $3.5million violin. Why do we sit around watching television and movies? If any of these pleasures seem self-evident, I would encourage you to ask yourself why they should be? It’s by no means clear that we should value something more highly because of who previously owned it, and it’s certainly not clear why we should get value by watching others play act lives that seem more interesting than our own.

The theory that Bloom presents is called essentialism. It’s the idea that each of these things that give us pleasure represents the essence of something or someone in our minds. So a person who pay’s 500 times the going rate for a used guitar solely based on the fact (x-factor) that it once belonged to John Lennon is, according to Bloom, imagining that there’s some sort of essence of Lennon that rubbed off onto the guitar. Yes, the guy buying the guitar could be buying it entirely based on economic considerations, but the only reason there’s an economic benefit (economic rents in economist terminology) to be made is that there are people out there (many of them) who desire to possess a famous artist’s instrument even though it costs them far more than an equivalent guitar not owned by a famous person. Things become even clearer when one looks at an item like JFK’s tape measure—i.e. a mundane item that is not tied to the man’s fame. (Said tape measure sold for an absurd amount.)

Bloom discusses art forgeries to elaborate this concept of “essence” versus the intrinsic value (i.e. the beauty of the art.) There are many cases of paintings being sold for millions because they were believed to be painted by a certain “artistic genius” and then they become trash when it’s discovered that they were painted by a nobody—a nobody who’s genius was clearly sufficient to convince all the experts that he was some other genius for a while, mind you. If what we cared about was the beauty of the painting, its value would have nothing to do with its origins. In this example, it might seem to be all about rarity (a dead artist paints no more, and, thus, has a limited stock of paintings), but there is reason to believe that’s not the whole story.

We can see the value of these essences ubiquitously. There have been a number of blind taste test experiments that show that oenophiles (wine lovers/experts) can’t tell nearly as much about a wine’s delicate intricacies when they don’t have its label on hand. Famously, there was the CEO of Perrier who couldn’t pick his own company’s water out of a blind line up of waters, though insisting it was a superior product. (It took him five tries out of seven waters.) Even after that event there were people willing to spend twice as much for Perrier because it gave them some pleasure that was completely delinked from its taste or nutritional characteristics.

Bloom’s thesis is interesting, and he presents a lot of fascinating examples in this book. What the book doesn’t really explain is how come certain essences act heavily on some people and not at all on others. It also seems like a theory that begs for another level of explanation. Why should such essences exist, i.e. what is their root cause? The latter may prove difficult given the degree to which individuals vary in their peculiar pleasures from one to the next.

I found this book to be intriguing, and would recommend if for people with interests in the oddities of human behavior.

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BOOK REVIEW: The 120 Days of Sodom by Marquis de Sade

The 120 Days of SodomThe 120 Days of Sodom by Marquis de Sade

My rating: 1 of 5 stars

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This book was listed in one of those “500 Books One Must Read” lists. Maybe it was “1,001 Must-Read Books.” However large the number, I think it was wrongly included. But it was free in e-book form (or nearly so) and so I figured: “I love free and I like edgy, so what’s not to enjoy.” Besides, this book has been banned many places around the world and there’s nothing that makes me want to read a book like it being banned. Plus, how many authors have such profound impact on the language as to have their names raised from that status of proper noun to common noun and adjective (the Marquis de Sade being from whence the word sadism, or “delight in cruelty,” is derived.)

Now the natural inclination of people seeing the uncomplimentary fashion in which I present this novel will be to think that I’m just a vanilla guy who found the work morally objectionable and that tarnished my view. It’s true that the scat, pedophilia, rape, and—in the latter chapters—homicidal mania rampant throughout the book are not my cup of tea. I, therefore, may not be able to convince you that I could have found the book appealing if it presented the same content in a more skillful manner. [I can’t imagine such a book being “enjoyable,” but I can imagine one that would be “engrossing.”]

However, I intend to convince you that there is a great deal that is unappealing about this book that has nothing to do with the subject matter. I firmly believe that, regardless of one’s ability to stomach the substantive content, one will still find the book to be an utter disappointment. [It should be noted that many people will find the book is more effective in the horror genre than the erotica genre—which isn’t to say that it succeeds in either.]

The synopsis is that four wealthy and prominent men take a harem of 46 individuals (boys, girls, men, and women) to a remote retreat to both have their way with them and, ultimately, snuff most of them out. The four men spend their time listening to tales of debauchery and sadism as told by a couple of prostitutes and then emulating the acts in the aforementioned stories.

Now, you may say, “What would keep 46 people from overwhelming four men—rich and powerful as they may be—and regaining their freedom?” Well, that’s the first problem with the book. It’s true that many of the victims aren’t adults, but enough are to make a rebellion workable. We are never told why this should work, and in this way the book is just a bunch of crude juvenile fantasies that fail the credulity test. A Bishop or President tells someone to drink acid or kill their own kin, and we are just supposed to accept that they would do it without question. The book sets up no tension. It really is the fantasy realm of an impotent man with delusions of grandeur.

The organization of the book is in five parts corresponding to the months / partial months that make up the 120 days mentioned in the title, and the storytellers tell progressively more vicious tales as the book progresses. The first couple parts don’t involve much violence and the acts described aren’t much different from what one might find in a book like The Story of O, except for the tonnage of poo in the Marquis’ stories. Having compared this to Réage’s work, let me say that it’s not just the poo that makes Sade’s work inferior, it’s also the lack of insight into the mind of the characters. (Part of the problem is that there is a vast cast of victims that have no dimensionality to them.) We see O’s reluctance, anger, pain, and transformation, but get none of this in The 120 Days of Sodom.

As the book progresses, it degrades further into lists of acts of debauchery and cruelty that all seem to blend together into a tepid bowl of poo. The Marquis de Sade wrote this work in prison and it really comes off as an outline of acts of violence he dreamt up out of the frustration of impotence. A well-written work that wanted to explore this situation would pick a few particularly evocative acts from the list and would form them into a coherent story with multi-dimensional characters and a narrative arc. This book is just a list of cringe-worthy acts written out tersely, but they don’t induce a cringe because none of it feels real because we get no insight into characters and the four leads are just supermen who get to do whatever they please without any realistic opposition.

If you read this book, read it out of interest in the historical persona of the Marquis de Sade. If you’re reading it as erotic literature, you’ll probably find it to be a disappointing series of premature ejaculations that just tries too hard to list the most disgusting and objectionable acts imaginable. If you read it as horror, you’ll have to read through a couple of chapters of stuff that’s just disgusting–but not particularly scary, and then when you get to the horrifying part it’ll just be a machine gun blast of little tales with inadequate description to be truly gripping.

Needless, I think the greatest act of cruelty ever committed by the Marquis de Sade was getting people to read this horrible book—maybe that was what he was after.

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BOOK REVIEW: Alien Sex Ed. Ellen Datlow

Alien Sex: 19 Tales by the Masters of Science Fiction and Dark FantasyAlien Sex: 19 Tales by the Masters of Science Fiction and Dark Fantasy by Ellen Datlow

My rating: 4 of 5 stars

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Alien Sex is an anthology of 19 works of short fiction that revolve around sex, attempted sex, or sex-like behavior with non-human entities. While the title leads one to believe the book is specifically about sex with aliens from outer space, that’s not the case in all these stories. There are also stories where the object of affection is a lesser primate, an incubus, a new species, and a biologically-modeled robot. As one would expect with life forms from other worlds, the “sexual” act is not always what we would recognize as sex. (e.g. One planet’s whoopee might be another’s mundane act.) As a last warning about what the book is not, it’s not—on the whole—a collection of sci-fi erotica. A number of the stories probably wouldn’t be arousing to the freakiest of super-freak, and I can only assume weren’t meant to be.

While there’s a unifying theme, the works included cover a lot of ground in terms of style and format. It’s not even true to say it’s 19 short stories because there’s one poem and one chapter that reads more like an essay (i.e. lacks a narrative structure.) Some of the works are written in the language, tone, and style of erotica, but others aren’t. A few of them read like thinly veiled commentary on problems in the author’s own love life—i.e. cheating spouses, feeling a lack of attentiveness, or porn addiction. (Each work has a brief author commentary at the end, and a couple of the authors suggest that what was going on in their own life or those close to them shaped the idea.)

While the appeal of the works varied significantly, overall this was a fun and intriguing read. The works included are as follows:

1.) Her Furry Face by Leigh Kennedy
A primate handler who is in a waning marriage falls for one of his super-intelligent orangutan students.

2.) War Bride by Rick Wilbur
The world is going to end tomorrow unless you’ve been taken as a pet by one of the aliens.

3.) How’s the Night Life on Cissalda by Harlan Ellison
A man sent to investigate an alien race becomes inextricably sexually entangled with one of the aliens. Eventually, he’s forcibly separated from the alien—of a race that are apparently thin-skinned—and lives to see the descent of mankind.

4.) The Jamesburg Incubus by Scott Baker
A teacher in a Catholic school finds that he can make out-of-body nocturnal visits to some of his more attractive female students.

5.) Man of Steel, Woman of Kleenex by Larry Niven
This reads more like an essay than a short story. The work delves into the physics of why sex with Superman would be fatal for Lois Lane.

6.) The First Time by K.W. Jeter
This is a variation on the old coming of age story in which a young man is taken to a brothel for his first sexual encounter. It’s just that this encounter is of the 3rd kind.

7.) The Jungle Rot Kid on the Nod by Philip José Farmer
The premise behind the story is what if William S. Burroughs (author of Naked Lunch) had written the Tarzan stories instead of Edgar Rice Burroughs. In essence, it’s a risqué take on Tarzan.

8.) Husbands by Lisa Tuttle
After the extinction of husbands, a woman develops a new species to serve the companion role.

9.) When the Fathers Go by Bruce McAllister
A husband confesses to his wife that while she was in stasis waiting for him to come back from interplanetary travel, he sired a child with an alien. Furthermore, the child is coming to live with them. But wait there’s more…

10.) Dancing Chickens by Edward Bryant
This story reads more like an overly elaborate joke than a short story. It begins with the question, “What do aliens want?” and ends with a pun punch line. That being said, the lead is an unappealing but intriguing character.

11.) Roadside Rescue by Pat Cadigan
A stranded motorist is made an indecent proposal by a chauffeur on behalf of his alien employer.

12.) Omnisexual by Geoff Ryman
This is about an intergalactic brothel, but it’s the story in the collection that reads most like literary fiction—meant in both the best and worst possible ways.

13.) All My Darling Daughters by Connie Willis
While there are several really good works in this anthology, I’d have to rank this as my favorite—if only by a narrow victory. A sassy, sexually-liberated co-ed has her sex life torn asunder when all the young men come back from break with little, furry creatures in their possession and no interest in the female student body. Besides a neat concept for a story (though it may be implying that men are overwhelmingly rapey), the author does a great job of character development making the lead character both interesting and likable, while juxtaposing her with her apparently goodie two-shoes roommate.

14.) Arousal by Richard Christian Matheson
A woman who cheats on her husband with a stranger is cursed with permanent post-coital euphoria that swamps all interest in her family and life in general.

15.) Scales by Lewis Shiner
A woman’s husband is having an affair with what she thinks is a student assistant, but who turns out to be a soul-sucking seductress from the netherworld.

16.) Saving the World at the New Moon Hotel by Roberta Lannes
A woman waiting for her spouse to meet her at a bar to apologize for his infidelities decides to get a little herself. The man she hooks up with turns out not to be a man at all.

17.) And I Awoke and Found Me Here on the Cold Hill’s Side James Tiptree, Jr.
An experienced man offers advice to a newbie to get away before he ends up seduced by the aliens. This story talks about sex, but is about something much broader.

18.) Picture Planes Michaela Roessner
This one is a poem about alien sex, rather than a story. It stands alone as the only non-prose entry.

19.) Love and Sex Among the Invertebrates Pat Murphy
In a post-apocalyptic world, a dying scientist–who no longer believes in science–creates robots capable of engaging in the act. The creatures she makes are based on a range of real animals which are written about interspersed with the story-line.

I’d recommend this book for those who enjoy science fiction. One need not be into erotica to enjoy the stories and, the more one is seeking erotica, the less appeal the book may have. It’s a collection of big name writers in science-fiction, and the anthology’s diversity makes it particularly interesting.

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Rat’s Ass ≠ Flying Fuck

I get that nobody cares about the backside of a rodent. It’s clearly the toothy, gnawing front end that’s on people’s minds. So how is a “rat’s ass” synonymous with “flying fuck?” This isn’t a rhetorical question, people. I’d really like an answer.

So the fact that it’s preceded by “Who gives a…” makes me assume that a “flying fuck” isn’t anything that anyone much cares about. It’s like a rat’s ass, a goat’s gonads, or politician’s promise–no one cares. But wait. It seems to me that a flying fuck would be something that all parties concerned would take great interest in. Alright, I’m not  hip to all the maneuvers of the Kama Sutra, but I imagine  a flying fuck to be when a man with a woody gets a running start,  leaps up in the air in a horizontal configuration, and comes down so as to impale his partner’s lady bits. That’s like throwing a javelin to land a whole-in-one in the cup on the green of the 9th hole.

Is this a flying fuck?

Is this a flying fuck?

Even if I was a thrill-seeker, unconcerned about the threat of a sprained penis (it’s a real thing, look it up), I think my wife would care enough to be firmly opposed. If people weren’t scared of the flying fuck, it’d be all the rage.

Alright, let’s assume I’ve misinterpreted the term. Let’s say that a “flying fuck” really refers to being a member of the Mile High Club. Everybody cares about that. The man wants to celebrate it. The woman doesn’t want to be caught in a slutwalk of shame back to her seat. You can be damn sure the guy who’s locked out of the lavatory after having eaten a vending machine tuna salad sandwich from Concourse B cares greatly. Everybody cares about the flying fuck.

I can’t even imagine what else a flying fuck could be, but whatever it is I have trouble believing that nobody cares.

It can’t just be the alliteration.  Acrobat’s accountant, billionaire’s bunion, crooner’s cookie-jar, etc… are all alliterations that we care less about than a flying fuck.

So if you can shed some light, I’d be happy to hear an explanation. I do, truly, give a flying fuck.

The Puzzling Sexuality of India

India, land of the Kama Sutra, is prudish. America is known for being pretty puritanical–at least if you don’t compare it to Muslim countries. In the U.S., for some reason, we would rather a child see a human cleaved into eight individual pieces with a machete than to be witness to a nipple slip. Well, India censors the innuendo and sexual references  that sailed right past the FCC.

On the street, my wife and I can expect odd looks for holding hands and worse for a smooch. In the city, this rarely amounts to more than a sidelong glance, but we’re told in the countryside the people can be more vocal. (We’ll see, we’re planning our first trip into the countryside for next weekend.) On the other hand, young men routinely hold hands with other men, and the same is true of pairs of young women. Same-sex hand-holding is par for the course, but hand holders of the opposite sex are breaking mores. Some may say that the difference is same-sex hand holding isn’t sexually-charged, but I think it strains credulity to think both that different-sex hand holding is always inherently sexually charged and same-sex hand holding is never sexually charged.

Anyway, one would expect that a country that was so comfortable with same-sex public displays of affection (PDA) would have liberal views about homosexuality. No. Until 2009 homosexuality was a crime, and there is still rampant Ahmedinejad-style denial that homosexuality exists in this country. (Ahmedinejad is the Iranian president who– in an act of denial that was stunning, though in character–stated that homosexuality doesn’t exist in Iran.) To add another wrinkle, I’ve read that some men, who would be fighting-mad to be described as anything other than straight, routinely engage in behaviors that most would find indicative of homosexuality or bisexuality (we are talking well beyond hand holding or a kiss on the cheek here.)

There are a couple of reasons why young people who vehemently identify as straight might engage in sexual behaviors that are not. First, there are those who are homosexual and are either in the closet or in denial. One expects that there are many people who fit into this category in India because of the tremendous pressure to live a traditional family life–whatever else one may do on the side. In many countries, “denial” and “the closet” might cover the gamut of explanations for such anomalous behavior. However, in India there is a second reason that one might associate with places where men and women are strictly segregated over long periods of time (think a prison.) That is some of these the aforementioned people presumably are heterosexual, but have no sexual outlet because they don’t have any private interactions with people of the other sex who are not their blood relatives. So in an ironic twist, in society’s attempt to rigorously enforce and control a “traditional” paradigm of heterosexual familial units, more unions that do not fit that model are created than otherwise would be.

So you may be wondering whether I’ll be explicit about what I find “puzzling” about Indian sexuality. It’s a little puzzling that the culture that brought us the Kama Sutra and vast orgiastic bas reliefs on the temple at Khajuraho would have a problem with a couple hugging in the park or who choose for themselves with whom they are intimate. The overwhelming trend across most of the world is to become more tolerant of consenting adult’s freedom to exercise their sexuality as they see fit. Granted, there are certainly other examples where there has been a countervailing trend. Caligula’s Rome versus the Rome of today. Also, it should be noted that over a recent time span India seems to becoming more tolerant, and thus following the trend—if slowly.

Another thing I find puzzling is that by some measures the Indian approach seems to work. Following the incentives, I’d expect the Indian system of arranged marriage and limited premarriage intergender interaction to result in nothing but heartache. Indians will point out that their divorce rate is infinitesimally low. However, one then has to then consider other questions such as whether it results in more spousal murders, marriage related suicides, and vow-breaking. In other words, are there other means of marriage terminations that take place in a society that for all intents and purposes doesn’t allow divorce?

There is something particularly pernicious in Indian society called dowry murders. This is when a man and his mother set the man’s bride on fire so that they can erase the marriage and start all over in search of more bling. (That’s got to max out the bad karma.) Dowries were made illegal because of this, but both dowries and dowry murders continue. India does have a high suicide rate (though not as high as the US’s), but I have no idea whether any studies have been done to try to isolate the role of a bad marriage. I also can’t say whether there is evidence that “stepping out” on the marriage is higher in India. While there is plenty of evidence that this goes on, like anything related to sex, few Indians talk about it.