POEM: Seed

There is a tinge of sadness in anything that floats.

In the float is buried the seed of sinking.

There is a tinge of sadness in everyone who sleeps.

The seed of wakefulness lay dormant in a dream.

People think themselves fearless of Poe’s pit–sans the pendulum,

but underestimate the suffocating power of the void.

The pendulum is swift; the pit, relentless

Fear of the dark is fear of what is not.

 

POEM: A Khasi Myth: or, Rodent, Lightening, and Sword

In a sacred forest

a Rodent roamed

who owned a sword

it freely loaned.

This was no hacking

machete blade,

but made of metal

of unmatched grade.

One day Lightening

made a request:

To borrow the blade

believed the best.

Lightening zigged,

sliced, and zagged.

Claiming ownership

 in its boastful brags.

The rightful owner

requested its return.

But the rodent’s

plea met only spurn.

So the critter devised

a clever, sensible plan

in order to bridge

the requisite span.

It needed to climb

from Earth to the sky

because it had no

wings with which to fly.

But it wasn’t just wings

which Rodent lacked.

It had only one item

 to be skyward stacked.

So it piled its poop

as high as it could,

from the base of a tree

past the top of the woods.

Stacking and piling, the

poop nearly touched cloud.

When a thunder crack

struck ear-splitting loud.

Lightening saw rodent

would reclaim the sword

that Lightening had come

to so ardently adore.

Down fell the Rodent

to a pile of fried dung

that had once been its

steps and its ladder rungs.

 You may think that

Lightening got its way.

But the Rodent piles

its poop to this very day.

Someday when Lightening

is momentarily distracted,

Rodent’s sword will be

surreptitiously extracted.

POEM: Sweep

Bristles flex against the flagstone.

Like Bruce Lee with his nunchaku,

she works two brooms at once.

Unlike Bruce,

she lacks fury and showmanship.

She’s oblivious an audience has formed.

Like Bruce, her body is coordinated,

capable of describing two arcs,

in two separate directions,

at once.

The soft scraping sounds

of two bundles of bristles

is the neighborhood’s wake-up call.

The hush whispers of leaves skittering

is the subdued scream

that cannot be ignored.

Like a demonic whisper,

all that’s quiet is not gentle.


[National Poetry Month, Poem #23]

POEM: Ghost Ship


with each wave swell

metal rasped on rock

a grating demon squeal

where’d it come from

surely, not from Liberia

despite the flag’s claim

drifting across high seas

it found a suitable grave

on an unknown rocky shoal


[National Poetry Month: Poem #22]

POEM: How to See an Asylum in Six Easy Steps

Source: Wikipedia by Evan-Amos





Step I: Sit in a crowded cafe.
Raise your hand to your face.
Stare into the palm of your hand.
Flex fingers until suitably awed.



Step II: Flip your hand over.
See the sliding subcutaneous tissue,
as you make and release a fist.
Continue to feel the awe.



Step III: Wriggle your fingers in
all permutations of one and two.
Cycle: grasp, release, and repeat.
Revel in the glory of manipulation.



Step IV: Continue as the summoned
Officer inquires about ingestion of
psilocybin, mescaline, ayahuasca, or
various three-letter substances.



Step V: Verbally, politely acknowledge the
Officer as you continue to note the
details of intricate hand movement.
Said Officer will ask, “So, what’s going on?”



Step VI: Answer truthfully and politely:

“I’ve never really seen my hand before.
Never noted it’s vast range of dexterity.
Tight enough to hold a sledge hammer.
Light enough to hold a bug harmlessly.
Fingertips can detect infinitesimal
variations in temperature and texture.
I can even tell a Vulcan–
should I ever see one–
to ‘live long and prosper’
merely by abducting finger pairs.”



At this point, the Officer will need
to consult with his superior to make
a determination about whether you
constitute a danger to self or others.



Now, if you put a phone in the
aforementioned palm, no one
will give it a moment’s notice.
Still, think you can recognize sanity?



[National Poetry Month, Poem #20]

POEM: Kittens Can’t Get Their Legs

Little kittens can’t get their legs.

Feet slide as legs sprawl wide.

Writhing amid a pile of siblings.

Wrangled and nudged by mama.

Tiny screams for leeway ungranted.

Bellies bulge with mama’s milk.

They don’t yet look like miniature cats.

They have neither the proportions nor the ears.

They could as well be puppies or opossums.

From any distance mama sanctions.


[National Poetry Month: Poem #19]

POEM: The Brew

Gulp.

Silence.


He awaits the sacred geometry,

but is greeted by the purge.

Emptied.

Turned inside-out.

All is lost.

Violently vacated.


But then how come

a dragon comes sliding through

a nightmare too entrancing

to be terrifying.

There’s no slither.

Just a silent slide.

It slides, it slides.

On a silent ride.


There are two types of eternity.

Neither is cheap but one is free.

He just needs to discover

of what it’s free.


[National Poetry Month: Poem #18]

POEM: Sitting

I feel the swell,

but can’t see the boat.

Let alone know whether

it contains passengers.

It’s night.

The sea is dark,

and the most I can hope for

is a glint against the hull.

If I look to where the glint was,

She’s gone.

Tune to the

rise and fall

of the swell.

 

[National Poetry Month: Poem #17]

POEM: Stomp

Siddhartha Gautama saw

– one old

– one ill

– one corpse

and knew his path must change.


I saw a naked child

stomping in the mud

and knew my path must change.


To slog through the mud

is the way of sufferers.

To stomp like you’re in a marching band

is the way of joy.


[National Poetry Month: Poem #16]

POEM: Gray

I remember those gray days.

Drizzle. Mist.

Gray cloud bellies hung low,

scratched by church spires.

A cloak of damp,

damp cold.

Shoulders hunched.

Eyes on glistening pavement.

A world closing in.

Burying one in gray.


[National Poetry Month: Poem #15]