Hate scuttles down a wire.
It was sent hatefully,
and received angrily.
But wire knows neither hate nor love —
nor does circuitry.
Electrons don’t.
Hardware doesn’t,
software doesn’t —
only wetware.
What passes down that line?
Hate scuttles down a wire.
It was sent hatefully,
and received angrily.
But wire knows neither hate nor love —
nor does circuitry.
Electrons don’t.
Hardware doesn’t,
software doesn’t —
only wetware.
What passes down that line?
What creates more and bigger monsters…
fear or drink?
boredom or loneliness?
Hell or High Water?
And when the Captain points the way…
How does one know that one has put the monster to the fore?
What lurks in the shadowed archway, behind?
Who charges forward to the tune of,
“Lead onward, oh ye of the pointy stick!”
And why does yonder illuminated woman carry a chicken?
It’s a snack too raw for the Night Watch,
but too small to distract a monster.

Source: Bart Everson https://www.flickr.com/people/11018968@N00
It feels like living in a sizzle reel —
a jump cut waking nightmare shot too bright
for gritty city scenes where off clothes peel
while below grates are steaming in the night.
i’ve got no time for silent shouts
they take too long to vibrate my bones,
and i’m not sure that Time even exists —
maybe in the sense that i exist,
but not in any REAL sense
mystical snapping fingers
keep slapping me up against the NOW
and it hurts in the incandescent filament of my soul —
the part that precariously wiggles,
under constant threat of sizzling out–
and — in doing so — would leave me a dull boy
In days before hell swallowed,
I’d sit on a bench reading news,
and watching how lead ducks followed
while marching down in ones and twos.
They went into shallow water —
floating time bombs, drifting slowly,
wishing they hadn’t sons or daughters
to die among creatures lowly.
“The end is nigh! The END is nigh!”
called a junky from yonder shore.
He was twisted and floating high,
and had too much of being more.
But now my window sits broken.
The land is flattened as my mind.
Moving lips tell not what’s spoken
from a vantage point wedged behind…