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About B Gourley

Bernie Gourley is a writer living in Bangalore, India. His poetry collection, Poems of the Introverted Yogi is now available on Amazon. He teaches yoga, with a specialization in pranayama, and holds a RYT500 certification. For most of his adult life, he practiced martial arts, including: Kobudo, Muay Thai, Kalaripayattu, and Taiji. He is a world traveler, having visited more than 40 countries around the globe.

DAILY PHOTO: Néprajzi Múzeum, Budapest

Taken in December of 2014 in Budapest

Coastal Haiku

shore wash:
chasing, and chased by,
tiny feet



crab sand art
alien beach language
’til high tide



dark clouds.
fishing boats race
churning seas



spiked urchin
wedged amid the rocks,
step wisely



low tide
glass sea stretches to
the breakers

POEM: What Lies Beyond the Frame?

Seeing the world through a window,

feels like from a rooftop.

And I cannot help but wonder,

what if the walls went pop?

 

DAILY PHOTO: Great Blue Wall

Taken on October 19, 2019 at Freedom Park in Bangalore.

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DAILY PHOTO: Props

Taken at the Udvar-Hazy Center of the National Air & Space Museum in July of 2018

POEM: Notes on Being an Introvert: or, Weird

Most people turn a spigot to control the flow of the informational self. Opening the valve at will, and adjusting the flow as the pipe diameter allows. I have a hammer and a dam. Slamming the hammer into the dam yeilds nothing the first knock, and only a few droplets seep through over next several frantic smashings. Then spews a deluge of stone and water. Fortunately (or unfortunately,) by the time the flood crests, everybody has found safe ground elsewhere — usually.

“One-track mind” is a pejorative label, a criticism of an obsession. But the best one can aspire to is a two-track mind. Track One is what you are aware of, and Track Two is being aware of what you’re aware of it — metacognition. [Some Buddhas may be able to mirror it out to a third level, but not me.] Sure, one can juggle things in and out of Track One like a spastic circus worker, but it’s still a one-track mind. And dialing in Track Two is like tuning into one of those cross-country super-stations back in the radio days. The ones that only came in clearly in the stillness of the dead of night, and, otherwise, tipped into static with the slightest provocation on this spinning, orbital world.

My point is that I require a track for actions that usually take place down below the waterline, in the engine room — i.e. eye contact, smiling, etc. So when my one-track mind is occupied with information flows, I’m staring off who knows where — looking like the person who peers over your shoulder at a clock or at the prettier person he wishes he was talking to — but without recovery, because I’m oblivious to what my eyes are taking in. Worse, sometimes I remember to juggle “make eye-contact and smile” into Track One, and then I realize after the fact that I stared down an interlocutor with a maniacal grin until he excused himself, worrying I might have been sizing him up to make a coat of his skin.

Lest you think me wallowing in the mire, there’s a sweet upside. Under the right conditions, I gobble up and manage information like one of those giant harvesters that chews through a 200 acre cornfield in a day — separating grain and chaff — and stowing it away neatly. And, putting my body in motion, I can dive a mile inside, losing my Self and becoming blissfully enamored with this electric life.

Then there’s that aspect of me that I used to feel a curse, but have come to embrace: my inability to give two fucks about things that drive “the normals” to frenetic lunacy, such as:

  • collecting and squirreling away bits of matter
  • sports teams (A digression: I’ve always found spectator sports to be like being invited to watch a party through the window from the outside. I see why the athletes are fervent about it, but can’t figure out why anyone else would care.)
  • the need to be loved by every single person I come into contact with — that must be exhausting
  • the need to feel that I understand the world (I love the chase, but I’m like a mutt chasing a Mack truck. Catching it would prove fatal. It might not crush my body, but it would crush my soul.)

I’ve been thought many things:

  • People-hating: Untrue. I see each person as a bright and splendid sun. Warming. Soothing. Invigorating. Burning. Scorching. Cancer causing. And, ultimately, fatal. “The poison is in the dose,” as they say. Catch me without sunscreen and I’ll flee. With it, we may know some time together. My wife seems to be the only one free of this harsh and curious radioactivity.
  • Arrogant: OK, it’s not wrong that I be thought arrogant, but it’s usually in ways and degrees that do not hold. I once heard Neil Gaiman say something to the effect that a writer must balance humility with the lunatic overconfidence of a seven-year-old schoolboy. To clean out the attic before it explodes out the windows and into the street requires an inexplicable degree of comfort with everybody seeing the skeletons, sex toys, and unused fitness equipment you’re putting to the curb.
  • Depressive: Perhaps, in the days I felt the need to be someone else, but more likely just drained from the time-release vampires.

BOOK REVIEW: As You Like It by William Shakespeare

As You Like ItAs You Like It by William Shakespeare
My rating: 5 of 5 stars

Amazon page

 

This play tells the tale of Rosalind, the daughter of an exiled Duke whose dominion was usurped by his brother, Fredrick. Rosalind goes into the woods with her best friend — the daughter of Fredrick, Celia — where her father is living in banishment. For a twist, she adopts the disguise of a man. As it happens the [proper] Duke’s forest attracts several other visitors in addition to its usual country folk, including the three sons of Sir Rowland de Boys, one of whom – Orlando – falls madly in love with Rosalind (who has by that point disappeared into the guise of a young gentleman.)

This play uses several of the common plot devices of Shakespearean comedies, including: mistaken identity, girls dressed as boys, the love triangle, and letting the audience in on a joke about which the play’s characters are kept in the dark. As it’s a comedy, you can correctly assume that all works out for the key characters — in fact, things work out quite neatly for everybody. In fact, Rosalind-in-disguise, conducts a scheme that results in a four-way wedding including not only her and Orlando, but also Orlando’s brother Oliver to Celia, a shepherd to a shepherdess, and a clown to a wench.

Of course it’s good, it’s Shakespeare. As for how it compares to the other comedies, I’d put it in the same ballpark as “Much Ado About Nothing” and slightly better than the middle of the pack. However, I have seen that some consider it the best of the comedies. I didn’t find it to have the tension of “The Merchant of Venice” or the intrigue of “Tempest” or “Midsummer Night’s Dream,” but it’s clever and has some well-known pieces of writing, probably most famously the “All the world’s a stage…” speech. If you haven’t read it, get on it.

View all my reviews

DAILY PHOTO: Mountain Fortifications

Taken on October 8, 2019 at Gingee Fort

POEM: Legacy

i blacked out on the launch pad
so, if you came to see me soar
sorry you had to hear me snore
i’ll not, today, become the fad

i remember my dear, old dad
he broke the very speed of sound
but I can’t claim I was around
i’d trotted off to Leningrad

but powering down made me glad
i can’t rocket into that cold night
a tragic rider with Quixote’s sight
my only hope lies in going mad

what great men have gone this way
cursing in the light of day

POEM: Nonsense

pounding out a soul song
read it right, don’t get it wrong
wait for cops to come along
and move me back to my cell
 
there is an iron kind of hell
i heard the cry and felt the swell
after life had rung my bell,
and doused me in a sea of hope
 
seek out neither king nor Pope
you’ll end up hanging by the rope
a poor and pitiless lonely dope
who never learned right from wrong