Four Aphorisms

1.) If you spend more time each day faultfinding than feeling grateful, your philosophy is fucked.

2.) Drop useless ideas as one would drop a flaming marshmallow. 

3.) If you shop recreationally, consider square dancing or kung fu.

4.) No idea should be beyond critique, but you don't have to be an ass about it.

DAILY PHOTO: Naga Lingam of Veerabhadra Mandir, Lepakshi

Taken in January of 2021 at Veerbhadra Temple in Lepakshi

Painted Skies [Haiku]

the rising sun
paints from a vivid palette,
but - soon - skies cool 

Warm Morning Light [Common Meter]

My walk is in the early hours,
in dawn's buttery light.
There's a gold glint to all that's pale,
whether a wall of white
or waters of a placid lake
or eucalyptus trunks
or on the waving Pampas grass
or on the robes of monks.

And by the time I've lost that light,
the walking hour is done.
And I'll be looking forward to
when next the day is dun.

DAILY PHOTO: Blue Skies Over Leh

Taken inside Tsemo Fort in August of 2016
Tsemo Fort; August 2016

BOOK REVIEW: Native American Literature: A Very Short Introduction by Sean Teuton

Native American Literature: A Very Short IntroductionNative American Literature: A Very Short Introduction by Sean Teuton
My rating: 5 of 5 stars

Amazon.in Page

This VSI (Very Short Introduction) stimulates curiosity from its very title. One might be interested in, but not necessarily intrigued by, titles such as: “Native American Folklore,” or “Native American Mythology.” However, when one thinks of the world of Native American story and language-centric art, one is likely to first think of oral storytelling, and then, secondarily, about the immensely popular genre / commercial fiction of someone like Stephen Graham Jones. Even if one is aware of some of the Native American literary works that got widespread attention and praise, works such as Momaday’s “House Made of Dawn” or the poetry of Joy Harajo, one may wonder whether there’s the basis for such a broad overview style book.

That’s just the notion that this book seeks to challenge. That said, until the final two chapters, it doesn’t always feel like the topic is as advertised. That is to say, with the exception of chapter two — which discusses the oral storytelling of various Native American tribes, much of chapters one through five is historical and cultural background designed to provide context for the creation of a Native American literary canon, but without talking about the canon’s components much. Some of the questions addressed include: how Native tribes came to written language, in general, and then to the English language, specifically; how self-image of tribal peoples shifted over time (and how that impacted the nature of written works;) the nature of various strains of Native literature (e.g. literature of resistance v. literature of assimilation, and so on.)

I learned a lot from this brief guide. I’m not going to lie, it does have some sections that are dry and quite scholarly, but it also raises some interesting ideas while introducing the reader to books that will be wholly unfamiliar to some and largely unfamiliar to most.

If you’re interested in how Native American literature came to be, I’d recommend one check it out.


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Desert Rains [Haiku]

a sandy desert
sits under sodden clouds,
soaking up each drip

Mountain Oasis [Haiku]

in pale-brown mountains,
we round a curve to see
a lush oasis