BOOK REVIEW: The Dreaming, Vol. 1: Pathways & Emanations by Simon Spurrier

Pathways and Emanations (The Dreaming, #1)Pathways and Emanations by Simon Spurrier
My rating: 5 of 5 stars

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This title is part of the “Sandman extended universe” that was spurred by the success of Neil Gaiman’s comic about the lord of dream realm –“the Dreaming” being said realm of dreams and nightmares. The Dreaming is usually presided over by Dream of the Endless, one of seven siblings commanding various domains. In this story, Dream is gone, no one knows where. Readers of Sandman will remember that in the original run Dream is kidnapped and imprisoned for 70 years. This isn’t the same disappearance (it’s not even the same “Dream,” but as he’s not a major figure in this book, there’s no need to elaborate.) While this may seem like a rehash, the Sandman story was focused on the character of Dream and mostly took place in our world, occasionally visiting the Dreaming as relevant to Dream’s story. This story is all about what happens within the Dreaming when the master is away, allowing decay, internal treachery, and the potential for invasion.

The story heavily focuses on three characters: Lucien, Mervyn, and Dora. One of the things this story does well is to build a tension between Lucien and Mervyn, a tension that is relatable and contributes substantially to the turmoil within the story. Lucien is ordinarily the librarian, and he’s a scholarly fellow who is an excellent librarian but is in over his head running the Dreaming (especially as he’s trying to keep it a secret that Dream has vanished so as to avoid panic or invite attacks.) Mervyn (Pumpkin-head) is like the head of maintenance, a blue-collar stiff who doesn’t know Dream is gone and thinks Lucien is making a powerplay and has bitten off more than he can chew. Dora is a mysterious rogue of a character who we don’t know much about other than that she’s not from the Dreaming (but lives there with Dream’s permission,) she’s quite powerful, and she does her own thing — which often runs her afoul of the staff of the Dreaming.

I felt this volume offered an entertaining story and resolved it nicely, while setting up for continued chaos in additional volumes. If you enjoyed the Sandman comics, this book is definitely worth a read.


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BOOK REVIEW: Opium and Other Stories by Géza Csáth

Opium and Other StoriesOpium and Other Stories by Géza Csáth
My rating: 5 of 5 stars

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Release Date: December 13, 2022 [For the reviewed edition by Europa and translated by Kessler and Rogers]

Csáth was a Freudian who, in 1919 at the age of 31, murdered his wife before committing suicide. He was a brilliantly imaginative [if macabre-oriented] writer, and — as one might expect — this collection’s two dozen stories are dark, dreamy, and often detached from reality. The collection is full of hazy surreality and bleak obsessions, but it’s an intriguing and engaging read.

The book presents several recurring themes: mothers, murder, the murder of mothers, etc.; as well as repetition of surreal settings involving dreams, drugs, and demented minds. Therefore, I’ll only discuss a handful of my favorite stories in the hope they are a reasonable representation. In “Murder,” a man meets an acquaintance on the train and is told of the murder said acquaintance committed, told in a matter-of-fact tone. This prosaic approach to murder is a recurring element of Csáth’s stories as well, and it lends to both the surreal and eerie nature of the stories. “Little Emma” is about a “play hanging” committed by a group of kids. In “Young Lady,” a patient in an insane asylum tells his friend about his obsession with a young woman. “A Joseph in Egypt” is the story of a dream in which the dreamer engages in a tête-à-tête with a married woman. In “Toad” a man imagines he wakes up to find a monstrous toad in his bedroom, or so he believes. In “Matricide,” brothers attempting to rob their mother end up murdering her when she awakes during the crime. “Father, Son” is the story of a young man going to retrieve his father’s remains from the medical school that had come into possession of the body because his mother didn’t have the funds to afford a proper burial while the son was away overseas.

If you enjoy macabre and surreal stories, this collection is well worth reading. However, it will not be everyone’s cup of tea, owing to the dark tone and themes of the stories.


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BOOK REVIEW: Slumber, Vol. 1 by Tyler Burton Smith

Slumber, Volume 1Slumber, Volume 1 by Tyler Burton Smith
My rating: 5 of 5 stars

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Release Date: October 18, 2022

Stetson is a “dream eater.” She makes her living by entering the dreaming mind of clients and “killing” their nightmares. When a series of mysterious and highly irregular murders happen in the real world, the police develop a hunch that Stetson might be involved, or – at a minimum – know something they don’t. And it soon becomes clear that it’s not just a job for her; there’s some sort of personal stakes or vendetta driving her.

I got hooked on this book. The art is colorful and fun and plays well with the imaginative and amusing dream world. The story was well-crafted and offered a satisfying and pleasurable read. If you’re into surreal speculative fiction that deals in dreams and nightmares, it’s worth looking into this book.

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BOOK REVIEW: The Gold Persimmon by Lindsay Merbaum

The Gold PersimmonThe Gold Persimmon by Lindsay Merbaum
My rating: 4 of 5 stars

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Out: October 5, 2021

This book consists of two stories with the common connection of being set in strange hotels. The first story is split between parts one and three (of three.) This allows part one to tell a story that feels like straightforward realism (while part three is where the story gets a bit trippy and where – in that trippiness – the reader may see connections between the two stories that may or may not be intended.) It’s the story of Cly, an employee of a fancy hotel [The Gold Persimmon] that specializes in serving a grieving clientele, and her love affair with a regular guest, Edith, who is a physician. The strangest thing in this story is that Cly is probably the most attached to her job of any low-level hotel employee in the history of low-level hotel employees.

The second story’s protagonist, Jaime, is an aspiring writer of nonbinary gender identification who is about to take a job in another hotel, a Japanese-style love hotel. [For the unfamiliar, that means a place with themed rooms where people come for short-term stays to get their freak on – think: dungeon, subway train interior, etc.] This story gets weird almost immediately as a fog descends over the city leaving only a few employees and customers trapped together inside the hotel. This is a much more engaging story than the other. The few people in the hotel inexplicably go all “Lord of the Flies,” and the reader can’t be sure whether it’s descent into madness from whatever fog has enveloped the hotel, or whether they are mostly unstable from the start.

It’s extremely difficult to write surreal- / madness-based stories that aren’t distractingly unclear about what – if anything – is real. I felt this story suffered from two difficulties. First, Jaime’s internal monologue sways radically from what seems like extreme paranoia to very reasonable states, but we don’t know the character enough to have a baseline. Second, many of analogies used in describing events read a bit clunky, causing one to need to re-read to try to make sense of whether what is said is what is actually being seen or whether it’s just a confusing metaphor.

That said, I was engaged throughout the story, and found it compelling enough to need to keep reading. I’d say if you don’t mind some ambiguity and experimentation in writing, you’ll enjoy this book. If not, not.

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BOOK REVIEW: Neil Gaiman’s Neverwhere Adapted by Mike Carey

Neil Gaiman's NeverwhereNeil Gaiman’s Neverwhere by Mike Carey
My rating: 5 of 5 stars

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This is a graphic novelization of one of the greatest urban fantasy novels, ever. While it’s been a while since I read the novel, this adaptation felt true to my memories of the original (one of my all-time favorite novels.) Carey did make a perspective shift from the third-person in the book to first-person in the comic book, but, otherwise, the story is substantially unchanged.

The protagonist is Richard Mayhew, a seemingly preternaturally average middle-class Londoner. Mayhew is going about his life as a suit-and-tie office worker with a domineering fiancé when he almost literally stumbles across a wildly-dressed young woman on the sidewalk. Mayhew’s decision to help the young woman will force him to reckon with a London that exists in parallel to the one he knows, a London of Marquises and angels and monsters and magically-endowed thugs for hire – any (or all) of which may present hazards to his health and well-being. The young woman is the last remaining heir to an important aristocratic family of London Below, and her problems are more dire than being passed out on the sidewalk.

Despite having read the novel, I enjoyed the graphic novel immensely and found it well worth retaking this beautifully rendered trip through the looking-glass into the London that exists beyond our world. This hero’s journey offers a satisfying character arc and many turns and surprises. Even if you’ve read the novel, I’d recommend giving this adaptation a look.

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