Tag Archives: Composition

Wen Fu 4: “Ekstasis” [文赋四] by Lu Ji [陆机]

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It's all the amusing matters
   That sages admire without bounds.
 Writers find their way through the void --
   Knock on silence to find its sound.
 Silk scroll messages from afar,
   The bard's words surge forth from the heart.
 Words and ash grow to overflow --
   Thoughts transcend depths to become art.
 Flowery fragrance pungently sprawls;
   Plants shoot forth verdant greenery.
 The brush winds swirl to whirlwinds
   Clouds climb above the academy.

Note: I previously posted other translators’ (Barnstone and Chou) version of this poem as The Joy of Words @ https://berniegourley.com/2024/12/31/the-joy-of-words-by-lu-ji-w-audio/

Original poem in Simplified Chinese:

伊兹事之可乐，固圣贤之所钦。
课虚无以责有，叩寂寞而求音。
函绵邈于尺素，吐滂沛乎寸心。
言恢之而弥广，思按之而逾深。
播芳蕤之馥馥，发青条之森森。
粲风飞而猋竖，郁云起乎翰林。

BOOK REVIEW: How to Write a Sentence by Stanley Fish

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How to Write a Sentence: And How to Read OneHow to Write a Sentence: And How to Read One by Stanley Fish
My rating: 4 of 5 stars

Amazon page

 

The sentence is the unit of writing at which beauty resides. So, while sentences might not be the sexiest scale of writing, it’s worth learning how to do them well. Stanley Fish offers a book which explores why we should care about the sentence and what separates the good and bad of sentences, before it moves into investigation of various types of sentences.

The first four chapters lay the groundwork by explaining what it is about sentences that make them worth mastering, and then outlines what makes a good sentence (while simultaneously explaining how truly great sentence construction might not come about through the sources and approaches that one has been led to expect.)

Chapters five through ten examine a few different classifications of sentences. Chapters five and six contrast the subordinating style with the additive style. The former sentences are hierarchically arranged, while the latter offers the freer / less ordered approach. Each of the two approaches has its advantages. The former make up many of the pithy bits of wisdom transmitted through sentence, while the latter supports a streaming consciousness style of writing (if done well.)

Chapter seven considers satire by sentence. Chapters nine and ten turn to a different classification scheme: first and last sentences, respectively. Both first and last sentences are disproportionately remembered, and each has a unique role in written works. The final chapter is about sentences that are self-reflective.

Throughout the book, Fish uses sentences – some famous and others from famous works – to offer the reader exemplars of the craft. The general approach is a good deal less technical and more reflective than most books on the subject. This makes Fish’s book both more readable, but also more contentious (in as much as a discussion of sentences can be contentious) than related works.

I’d recommend this book for writers and those interested in crafting language.

View all my reviews