6 Lessons from a Pranayama Intensive

Last week I attended a five-day workshop on pranayama, the breathing exercises practiced in hatha yoga. (Yes, I’m aware that that definition may be a radical oversimplification to many.)

 

Breath is like water. It’s easy to take for granted as long as it’s unimpeded, but the moment it’s cut off life is miserable–not to mention short. (If you’ve never been at an altitude that your body wasn’t adjusted to, this may not seem profound, but trust me.) We reduce breath to an autonomic function–mindless and effortless. It’s easy enough to do this if one doesn’t have an interest in getting control over one’s emotional life or one’s health.

 

FUN FACT: Exhalation inhibits the firing of the amygdala–two structures in the brain that are partially responsible for our experience of fear. Ergo, elongating exhalations may diminish the expression of fear.  [This isn’t a fact that I learned at the workshop, but was something I recently read in the book Zen and the Brain, which is a neuroscientist’s explanation of the nervous system and the effect of meditation on it.]

 

The workshop was educational and offered plenty to work on as I expand the pranayama portion of my practice. Here are a few of the takeaways I brought from the workshop:

 

1.) There’s a thorough system of classification of the various pranayama practices. This might seem self-evident, but it’s not something I’d thought of before.

PranayamaClassification begins with the tree above, but there’s much more to it. For example, one might group practices lying under the “without mantra” box as vitalizing (e.g. Bhastrika) or tranquilizing (e.g. Sheetali/Sheetkari.) One can also classify pranayama by whether there’s a retention of breath or not, and–if so–whether the retention is done with air in (Antar Kumbhaka), air out (Bahya Kumbhaka), or both (Sahit Kumbhaka.)

 

2.) [Related to lesson # 1.] Some of my favorite pranayama aren’t necessarily considered pranayama.  Nadi Shodhana (alternate nostril breathing) is classified as a shatkarma (cleansing practice) rather than a pranayama by many. Furthermore, some think of kapalbhati (forced exhalation breathing) more as a shatkarma–though many accept that they can be classified either way. Certainly, it’s more important that you do it than put it in the right box, but I found it interesting nonetheless.

 

milk3.) Ghee is to yogis as duct tape is to a handyman.  It’s a readily available multi-purpose tool. But seriously, I learned that hot milk and ghee–for some reason–have different characteristics in the body than regular cold milk. One wants to minimize mucus producing foods when one does a lot of pranayama for obvious reasons. (Blowing snot bubbles is neither dignified nor sexy.) So it came as a surprise when ghee and warm milk were suggested foods. (Milk, when taken cold, is about as mucus-producing a food as there is.)

 

4.) I learned why I can hold my breath so long after kapalbhati (or bhastrika) breathing. (Kapalbhati is a breath in which the exhalation is forced out; in bhastrika both the inhalation and exhalation are forced [pumped]–i.e. these are hyperventilating breathes.) I noticed a while back that as I practice kapalbhati, doing internal retention afterward was easy to hold for a long time. This is probably one of the most counter-intuitive facts I’ve experienced in practicing breathing exercises. The body has shed a bunch of carbon dioxide and has time and capacity to build up more without the body responding severely. It should be noted that the feeling of suffocation what we experience as being “short on breath” isn’t a lack of oxygen. It’s an excess of carbon dioxide. [One should also note that the reason that one needs to exercise great caution and graduality with these breathing methods–i.e. the reason that people have been known to pass out–is that the body reacts severely to carbon dioxide levels that are outside the appropriate ranges.]

 

5.) Diet is considered more important in starting a pranayama practice than in starting an asana (postural) practice. The basis of this statement is that one of the most prominent hatha yoga manuals (e.g. Hatha Yoga Pradipika) recommends dietary considerations for those beginning a serious pranayama practice, but it makes no similar statements with regard to beginning an asana practice. This doesn’t mean that what / when one eats isn’t important for postural practice. Anyone who’s ever eaten a heavy meal too close to an intense asana practice will know that it’s not true that food is irrelevant for asana practitioners. However, there seems to be a belief that many specific foods can be quite detrimental to pranayama practice–and a few really mesh well with such a practice.

 

FUN FACT: Conscious breathing stimulates the Vagus nerve, and the Vagus nerve is crucial in the functioning of  the parasympathetic nervous system (PNS)–i.e. advancing the “relaxation response” or “rest & digest” functions. Therefore, conscious breathing practices can help one to be healthier because PNS activity supports healing functions.

 

6.) There’s an established sequence of advancement that can be used across many different breathing exercises. One will see breath ratios that consist of up to four numbers. (e.g. 1:1 means that inhalation and exhalation are the same length (whatever that length may be, it will vary by person); 1:2:1 means that one internally holds the breath for twice as long as one does the inhalations and exhalations; and 1:1:1:1 means that one will inhale, internally retain, exhale, and externally retain all for the same length.)

 

Note: the counts that those numbers represent can and should increase over time–e.g. a 1:2:1 ratio may represent a six count inhalation/exhalation with a twelve count retention or it could be an eight count inhalation/exhalation and a sixteen count retention.

 

The aforementioned sequence is 1:1, 1:2, 1:1:1, 1:2:1, 1:2:2, and 1:4:2.

 

Happy breathing.

 

 

 

Yoga for Martial Artists

Long before I ever took a yoga class, I was doing a kind of yoga. It may have even had its roots in India, but it also might have blossomed independently. In the Japanese martial art I study, we called it junan taiso, and many of the poses would be recognizable to a yogi. While it didn’t include the complex and balance-challenging poses seen in yoga, stretches like the butterfly (Poorna Titali Asana), straddle stretch (Upavistha Konasana), and the back stretch (Pashchimottanasana) were virtually identical. As with yoga, the manner of breathing was as important as the nature of the stretch.

Butterfly Stretch (Poorna Titali Asana)

Butterfly Stretch (Poorna Titali Asana)

Back Stretch (Paschimottanasana)

Back Stretch (Paschimottanasana)

Straddle Stretch (Upavisthakonasana)

Straddle Stretch (Upavisthakonasana)

Flexibility is key in the martial arts, and not just the ones with high-flying kicks. Even grapplers and practitioners of the less fancy striking systems gain from increased flexibility, but it isn’t only increases in range of motion that yoga offers.

Let’s consider a modest front kick to a target no higher than the solar plexus. One might be inclined to say, “I don’t need yoga to help with that, I do that kick all the time, and have no problem reaching my target.” Do an experiment. Take a full 30 seconds to do the kick, from the time the foot leaves the floor to the time it extends out, and then hold it for 15 seconds, or so. If you succeeded in this without any problem, you may be good to go.

Front kick, slow-motion style.

Front kick, slow-motion style.

However, there are three problems that might plague one, and yoga is tailor-made to fix two of them. First, you may not have adequate range of motion. You may have thought you did because you can kick at speed and reach the target. But, you say, “Why would I need to kick in slow motion?” You wouldn’t, but this exercise shows you that you are having to use inertia to kick through the resistance of your own muscles. Unless you’re a hardcore bodybuilder that resistance might not seem too daunting, but you are essentially having the brakes applied–albeit softly–to your kick and that’s costing you speed and power.  Yoga can help you develop that range of motion. Consider the pose below, which requires the same type of flexibility.

Hand to Big Toe (Utthita Hasta Padangusthasana)

Hand to Big Toe (Utthita Hasta Padangusthasana)

Maybe you can raise your leg, but keeping it cantilevered in place is too much for you. This means you don’t have the strength to support your own leg. Either your leg is  heavy, your strength is lacking, or both. Building this kind of strength isn’t necessarily yoga’s forte. There are styles and approaches that may help you build that strength, but there are other things you can do that may be more efficient for that purpose–not the least of which is doing a whole bunch of kicks one after the other without a break until your leg is burning, and then doing some more.

You may have had the strength and flexibility, but found it hard to stay on balance. The naysayer says, “Yeah, but that imbalance would never be noticeable at speed. That is (as with the lack of flexibility) one can hide weaknesses with speed. While there maybe some truth in this, a lack of balance will cost you in subtle ways, and yoga can help. There are a number of postures that enhance one’s balance, balance on one’s foot, one’s head, or one’s hands (the latter could be useful for the ground grapplers.)

Warrior III (Virabhadrasana III)

Warrior III (Virabhadrasana III)

Headstand (Shirshasana)

Headstand (Shirshasana)

The Crane (Bakasana)

The Crane (Bakasana)

Tree (Vrksasana)

Tree (Vrksasana)

There are a couple of other areas in which yoga can help one’s performance as a martial artist. One is expansion of bodily awareness of issues of alignment and posture. These might not seem so crucial, but if you are in the martial arts for the long-haul, then having the awareness to make small adjustments can be the difference between chronic ailments or a lack thereof. It can be difficult to discover a misalignment in the quasi-combative environment of martial arts training. It’s easier to notice these issues in the slow and controlled practice of yoga.

Postures like Warrior II and the Side Angle Pose and show you where you are holding tension that you might not otherwise be aware of.

Warrior II (Virabhadrasana II)

Warrior II (Virabhadrasana II)

Side Angle Pose (Utthita Parsvakonasana)

Side Angle Pose (Utthita Parsvakonasana)

It must also be remembered that asana (postures) are only a part of yoga. Another aspect that can be extremely helpful for martial arts is pranayama, or the discipline of breathing.  There’s no substitute for cardio, but that doesn’t mean that one can’t benefit greatly from learning more about how to breath, and the science of breath. This is an area in which yoga excels. The great yogis made extensive study of breath and the effects that are achieved by various types of breathing, and these exercises can expand and strengthen the diaphragm and the muscles of the rib-cage. One tends to see the coup de grace strike and think, “There’s your problem.” However, often it’s fatigue that’s the underlying culprit. Better breathing can reduce fatigue.

Of course, meditation is another critical skill for calming the mind and learning to live in the present. Many martial artists already practice some form of meditation, but this is another option.

There is one more benefit and that is building greater confidence in your ability to exercise control over your body. There are many challenging postures in yoga. I don’t advocate all asana that have been taught historically because there can be such a thing as too much flexibility for a martial artist and some poses exercise joints in ways that were not meant to operate. There needs to be a proper balance of strength and flexibility, a proper tension within /between the skeletal and muscular systems. However, there are many poses that just take a bit of time and effort to develop the skill without putting too much wear on the body.

8-Twists Pose (Astavakrasana)

8-Twists Pose (Astavakrasana)