BOOK REVIEW: The Lone Samurai by Wm. Scott Wilson

The Lone Samurai: The Life of Miyamoto MusashiThe Lone Samurai: The Life of Miyamoto Musashi by William Scott Wilson

My rating: 4 of 5 stars

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[Note: this was previously posted in my martial arts blog, Jissen Budōka.]

This is a concise and well-researched biography of one of Japan’s most famous swordsmen. Miyamoto Musashi, however, wasn’t just a swordsman, he was also a writer, a painter, a sculptor, a Zen Buddhist, a poet, a philosopher, and a strategist. In short, he was a renaissance man. While The Lone Samurai focuses heavily on Musashi’s many duels as a traveling warrior, it also describes his artwork as it paints a portrait of a complex and beguiling character.

Musashi holds a curious allure among figures in Japanese history. The Japanese tend to be strictly bound by societal conventions, and being respectful and well-mannered is valued above all else. Musashi flouted convention whenever it served him. He used irreverence for strategic advantage. He was an astute reader of men. He often showed disrespect in order to get into his opponent’s head. This is most famously exemplified in his Ganryu Island duel with Sasaki Kojiro.

Musashi adopted a life of musha shugyo, or warrior errantry, though he could have been much wealthier and more comfortable had he chosen to be. He enjoyed simplicity, and only owned a few possessions. In his travels, he engaged in over 60 duels, and is usually credited with being undefeated [Note: I’ve heard some dispute the outcome of his second duel with Muso Gonnosuke. Wilson calls it a draw, but I’ve heard it called Musashi’s only defeat as well.] He fought as a samurai in battle at Sekigahara as well, but his adulthood was a relatively peaceful time.

One fascinating, but controversial, claim is that Musashi had no teachers–neither in swordsmanship nor in any of the fine arts he practiced. Musashi said this himself, but some historians dispute it. If true, it really takes being an extraordinary person up a notch. It should be noted that Musashi was only 13 when he had his first duel.

There is much about Musashi that is lost to the ages, but this book does a great job of pulling together what is known and weaving it into a portrait of the man.

There is an extensive series of appendices providing background information, notes, a glossary, and even a collection of pop culture (e.g. movie and novel) depictions of Musashi.

It’s well worth the read if you’re interested in strategy, history, or the biographies of incredible people.

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Book Review: Takagi Oriemon, Budo Hero of Shiroishi

9781447769033Takagi Oriemon: Budō Hero of Shiroishi by Mamiya Hyoemon

My rating: 4 of 5 stars

This is an English translation of a book that was written long ago. The translation is by the Jinenkan Honbu Dojo — specifically Manaka Unsui (the head [Kancho] of the Jinenkan) and his students Robert Gray, Maurizio Mandarino, and Eric Shahan. The original is entitled Budo Shiroishi no Ei and was written in Japanese.

The book is the story of the seven-year warrior pilgrimage (musha shugyo) of a warrior named Takagi Oriemon who lived from 1625 to 1711. Takagi founded a martial arts school that, as was typical, branched out over the centuries. As I understand it, there are two or three descendant schools still in existence today.

Takagi was legendary for his strength. The book offers many accounts of descriptions of both his physical strength (from moving boulders to help farmers to chopping down a house to create a fire break) and his strength of mind (e.g. staying where others were afraid to because of hauntings.) However, mostly it portrays Takagi as a supremely humble and virtuous man. He misses no opportunity to assist those in need of help, and always humbly declines reward. He does not use his great power for wanton destruction, but does punish the wicked when no other choice remains.

Unlike Musashi’s Book of Five Rings or Yagyu’s The Life-Giving Sword, which are mostly about strategy, this book is mostly examples of virtuous living with a few strategic concepts thrown in.

I can offer a test for whether a reader might enjoy this book or not.

You’ll love this book if you:
– are fascinated by biographies of great martial artists.
– enjoy learning about life in Japan during the Tokugawa period.
– enjoy morality tales and the example set by great men and women.
– like to be inspired by people who really had their stuff together.
– don’t mind the occasional ghost story.

You won’t like this book if you:
– are an editor or English teacher and things like errant apostrophes make your head explode.
– are turned off by the flouting of conventional writing style (multi-speaker paragraphs of dialogue abound in this book.)
– find that ghost stories or supernatural elements completely ruin an otherwise down-to-earth read.
– find typos grate on your nerves.
– are really grossed out by gory manga-style line drawings (they are not all like that, but some are.)

I had to deduct at least a star for the many grammatical and formatting deficiencies of the book, but I still think everyone would gain from reading it and seeing the life example set by Takagi Oriemon: Budo Hero of Shiroishi.

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