Around the World in 80 Books by David Damrosch
My rating: 5 of 5 stars
Out: November 16, 2021
David Damrosch’s comp lit world tour has a simple premise. You’re a traveler and the pandemic strikes, how do you travel by book while trapped at home? For those who think travel and reading are unrelated endeavors, I disagree. As a traveler and avid reader, I’ve always found the two intertwined in building a greater understanding of the world. Reading is an essential part of traveling, and I read literature from every place I visit. Why? Because people the world over are guarded, yearning to make good impressions. Because of this, one gets a partial and distorted view of other cultures. Poets and novelists round out the picture by airing the dirty laundry of their people. It’s not that revealing the dark and ugly edges of a culture is their foremost objective, but those are good sources of tension in a novel and of emotional resonance in a poem. [Seeking out what’s not so pretty about a culture might seem like a tawdry undertaking, but falling in love with a place is like falling in love with a person, if you do so without first seeing their bad habits, it’s not really love. It’s just childlike infatuation.]
The book’s organization is straightforward. There are sixteen locales, and five books are discussed for each. I enjoyed Damrosch’s “syllabus.” The eighty books included a pleasant mix of works I’ve read, those I’ve been meaning to read, and [most importantly] those I’d missed altogether. Any source that reveals new reading material to me will definitely find favor.
The book starts in London (apropos of its titular connection to the Jules Verne novel) and moves through Europe, the Middle East, Africa, over through Asia, back around to Latin America, and finally to North America to conclude (as trips generally do) back at home.
The book is weighted heavily toward the literature side of the travel-literature nexus. That’s not a criticism, it’s just worth noting for travelers who aren’t avid readers of literary fiction and poetry, because they may find this book gets a bit deep in the literary weeds. (The sections don’t focus single-mindedly on the listed book, but meander through the author’s oeuvre and influences.) While many of the selections are indisputably excellent choices for traveling by book, others lack a connection that is readily apparent (e.g. the final book, Lord of the Rings.) Again, I didn’t find that to be a negative as there was always something to be learned from the discussions, and – who knows – it may have even expanded my thinking.
If you’re a traveler / reader, you should definitely consider giving this book a read.
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