BOOK REVIEW: Follow Me Down: A Reckless Book by Ed Brubaker

Follow Me Down: A Reckless Book Vol. 5Follow Me Down: A Reckless Book Vol. 5 by Ed Brubaker
My rating: 5 of 5 stars

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Release Date: October 18, 2022

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This hard-boiled crime graphic novel is a gritty PI story turned grittier revenge journey. In the manner of Hollywood films, it’s over-the-top in places, but it’s also a visceral and (at times) touching story. (Perhaps, because the pacing and drama of the love story are more realistic than the depictions of action – which isn’t a criticism. The book knows what it is, given the almost camp tone of a lead with the surname “Reckless.”) The protagonist, Ethan Reckless, is hired to track down a missing young woman. Ethan isn’t a PI but engages in “problem-solving” activities – often of a legally questionable variety. Finding the girl draws him into a greater mission.

I think pacing is what this book does so masterfully, such that even though the lead character may be a functional psychopath there’s a strong emotional resonance to the story.

This is supposedly the last volume in the “Reckless” series (volume #5,) and I love that it functions so well as a standalone story. If you enjoy crime stories, this one is worth looking into.

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BOOK REVIEW: Pulp: The Process Edition by Ed Brubaker

Pulp: The Process EditionPulp: The Process Edition by Ed Brubaker
My rating: 5 of 5 stars

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Out: July 26, 2022

This is the “how the sausage gets made” edition of a popular standalone graphic novel, “Pulp.” It takes the reader through the various stages of the book’s development from conception through book “trailer,” drafting, penciling, coloring, and on to the final product. It offers explanatory notes by the author and artist at each stage along the way, in addition to showing the work at that stage of development. For the more substantial stages (e.g. drafting and final edition) it shows the full product, but for intermediary stages (e.g. inking and coloring) it just shows a few representative pages to give one the idea.

If you’re just looking to be entertained by a story, this isn’t the edition you want. Which isn’t to say that it’s not the book you want, “Pulp” offers a well-crafted and intriguing tale of a man, Max, who lived the gangster life in the wild west in the prime of his life (late 1800’s) and then “went straight” to become a pulp fiction writer in 1930’s New York during his senior years. The action of the story takes place in 1930’s New York, with flashbacks to violent episodes of Max’s past out west. It’s a take on “the life sucks you back in” storyline.

The main market for this edition is artists and writers interested in the comic writing / drawing tricks and techniques of seasoned professionals. I can also imagine actors, filmmakers, and those with cinematic interests benefiting from learning how choices are made with respect to how scenes are set and framed – i.e. to learn from the economy of the graphic novel format.

If you’re a creative type looking to work with comics or wanting to learn about how scene choices are made, give this book a look. If you’re just looking for an action-packed story, pick up the original edition of “Pulp.”


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BOOK REVIEW: My Heroes Have Always Been Junkies by Ed Brubaker and Sean Phillips

My Heroes Have Always Been JunkiesMy Heroes Have Always Been Junkies by Ed Brubaker
My rating: 5 of 5 stars

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As the title suggests, this story’s lead romanticizes drug abuse, to the point that she believes the only great art comes from those who are wasted. Said lead is a teenage girl who we know as Ellie, and whom we find in an upscale drug rehab center. She’s a troublemaker and resistant to treatment, and why wouldn’t she be as she believes that drugs make one a musical genius. (Most of her romanticization is directed toward rock-n-roll artists, but she also admires novelists such as William Burroughs and assorted other creative types who were generally blotto in the act of creation.)

Most of the story is a budding romance between Ellie and a young man who is a bit of a mystery but who encourages her to play along for her own good. Ultimately, however, his good influence is no match for her bad influence, and they end up running off together, hanging out in vacant vacation houses. In the latter quarter of the book, the story unfolds and we learn that the relationship isn’t the product of spontaneous chemistry that we’ve been led to believe.

Brubaker creates an addict driven to myopic and impulsive behavior, and so the reader can readily believe how she ends up in her own sort of hell in which she has no good options, only various flavors of terrible ones. The necessary foreshadowing was done for a twist ending, but it gets a little heavy handed at one point. However, to be fair, the reveal takes place in a short space as the overall work is fairly short, and the climax and resolution are late in the work.

I’m not such an expert on artwork in comics. The art and coloring seemed good to me, but I remember thinking that Ellie looked old to be approximately 18 – but then that could have been purposeful as she’s supposed to have drug years on her.

I found this to be a thought-provoking work and read it straight through. It’s not preachy, but does suggest an inevitability of life going sour when one lives such a life. I’d recommend this book for those intrigued by the premise.

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