This is a collection of 18 science fiction short stories by Ray Bradbury, featuring: space travel, androids, time travel, and alien invasions. However, many of the stories use science-fiction – space travel most extensively — to investigate down-to-earth subjects such as: religion, marital relationships, war, and race relations. The fact that the collection deals in everyday subject matter allows it to retain its relevancy. The sci-fi is definitely dated, from the fact that “Martian” is used as a synonym for alien to the Cold War themes, but the stories are still worth reading because they are well-crafted and continue to be thought-provoking.
The stories of this collection are integrated by the titular story. The Illustrated Man is a character who had his body covered in tattoos to continue his employment with the carnival, but the witch who tattooed him made shape-shifting images that told stories. The story of “The Illustrated Man” is the last in the collection, but there’s a prologue that sets it up. It’s not a novel-in-stories, however, as the stories aren’t connected — other than being collected into a universe of this character’s flesh. The end of several stories feature a quick reference to the Illustrated Man narrative arc, but generally there’s no other connective tissue to the stories.
Here is a brief overview of the stories:
“The Veldt”: spoiled kids are given access to a technology that goes one step beyond virtual reality to what might be called mentally constructed reality. They create an African savanna, and things go awry.
“Kaleidoscope”: An accident causes astronauts to be scattered into space, not dying immediately, but knowing the limited resources of their spacesuits will not last long. This is among the more popular stories in the collection.
“The Other Foot”: A white man is forced to take refuge on a planet that minorities had long-ago been relocated to, because now a war has made the Earth uninhabitable. The story deals with the tension between those who are willing to welcome him and those who think he should be treated as they once were.
“The Highway”: A man living and working near a desolate stretch of highway meets a rare visitor who tells him that war is upon them. One of the Cold War end-of-the-world scenario stories.
“The Man”: The Captain of a spaceship is disappointed to find that none of the locals come to see them when they land. Little does he know, they were just visited by a Messianic figure the day before. The tension is between the non-believing, skeptical Captain and one of his men who is a true believer. A commentary on faith and belief.
“The Long Rain”: Space explorers are demoralized by the unceasing rain on a planet they are exploring, a rain that threatens to send them into madness.
“The Rocket Man”: The son of a space traveler wants to follow in his father’s footsteps, but doesn’t know how hazardous a life it is.
“The Last Night of the World”: This story asks one to contemplate what if one knew it was the last night before doomsday. Another Cold War-era sci-fi piece that hinges on atomic apocalypse.
“The Exiles”: A crew of space explorers is falling to inexplicable illness. This story has a great deal of literary allusion with Ambrose Bierce, Edgar Allan Poe, and Charles Dickens each playing a part. Like Bradbury’s most famous novel, the story considers the issue of censorship.
“No Particular Night or Morning”: This story considers the question of how one knows anything is true. It does so through the lens of a spaceship crewman afflicted with solipsistic delusions – or so his crew-mates assume.
“The Fox and the Forest”: In this time travel story, a couple has escaped a dystopian future into Mexico, circa 1938, but the authorities of their time don’t intend to let them get away.
“The Visitor”: The story of a man with powerful psychic abilities who is coveted by competing factions.
“The Concrete Mixer”: A Martian pacifist is forced to participate in an invasion of Earth, only to find that it is an ill-advised endeavor for reasons entirely different from he’d thought. The story revolves around the centrality of materialism and consumerism in American culture.
“Marionettes, Inc.”: One man gets a look-alike android to cope with a wife who hates him, and another gets one to contend with a wife who is smotheringly needy.
“The City”: Explorers find that the abandoned city they’ve been sent to explore isn’t as free of sentience as they’d thought.
“Zero Hour”: Alien invaders find an unexpected ally in the impressionable youth.
“The Rocket”: A man wants his family to see the stars, but lacks the resources to make the dream come true. So, he gets creative.
“The Illustrated Man”: As referenced above, this story tells the tale of carnival tattoo’d man whose body-art mysteriously tells stories through its images, with special focus on two special designs.
I’ve never found a Bradbury work I didn’t like, and this one is no exception. The writing is beautiful. The story-telling is skillful, and, even when the sci-fi details are dated, there are themes that remain relevant. I’d highly recommend this collection for readers of sci-fi, particularly those who like classic sci-fi.