This book begins with a family being murdered by Jack, a cold-hearted killer – a family all save the infant. It’s readily apparent that this isn’t a random violent crime. For one thing, the fiend is far more concerned with finding the baby so as to complete his treacherous task than he is with absconding with loot or reveling in carnage. We don’t know why the family is killed or how a baby could possibly be a worthy target for an assassin, but it’s a mystery that will play out over the course of the book. What we do know is that the boy, Bod – short for Nobody [Owens] – crawled from his crib, out of the house, and into a graveyard that night and that he was taken in by the dead [and a vampiric guardian named Silas] and granted free access to the graveyard.
While the plot is about a killer on the loose intent on murdering Bod, a lot of the book deals with the boy’s challenges as the one living human among a community of the dead. Silas and his adoptive – if deceased – parents, the Owenses, are reluctant to let the boy out of the graveyard because they know he is in danger and they can protect him there were a different set of rules apply, but he has a desire to experience the world. An abortive experiment with going to school fails because Bod sticks up for bullied kids and can’t help but employ some of the skills he’s acquired as a denizen of the graveyard. In the graveyard, he is a living person among the dead, but he is no less the outsider among the living.
This is written for a young audience, and is therefore highly readable while avoiding all the gore that one might expect of a book that begins in murder. Gaiman masterfully creates the ghoulishness and suspense without being horror, per se. I’d recommend this book for readers of low (intrusion) fantasy works.