My rating: 3 of 5 stars
Amazon recently had a sale on classic Batman collections in celebration of the Caped Crusader’s 75th anniversary. I bought a few titles, including this one.
Batman: Year One is Frank Miller’s vision of the hero’s first year of crime fighting. Unlike the first movie in the Nolan trilogy, Batman Begins, there’s no backstory about Bruce Wayne’s training. The comic begins with Bruce Wayne beginning to go on the equivalent of self-sanctioned “neighborhood watch” rounds in Gotham’s seedy underbelly. He’s in his planning and research phase, and only quasi-reluctantly gets into brawls with street thugs. His goal is, ostensibly, intelligence gathering.
Miller’s work isn’t aimed at a boyish market. From the intimation of underage prostitution to themes of marital infidelity to the unsubtle homage to Edward Hopper’s famous painting Nighthawks, this book is directed at a more mature reader. It’s grittier, but Batman hasn’t yet become so sophisticated as to abandon wearing his underwear outside his pants.
The four chapters that make up this graphic novel parallel and twist together the stories of Jim Gordon and Bruce Wayne as they each begin their Gotham crime fighting careers. In many versions of the Batman mythology, Gordon is a young cop who helps boyhood Bruce Wayne on the night his parents are killed. This is one of the ways in which the Miller version differs. In Batman: Year One Gordon is a detective who moves to Gotham from Chicago at about the same time Bruce Wayne is sticking his toe in the waters of Gotham crime. This comes in handy for Miller later in works like Batman: The Dark Knight Returns in which he is able to have a geriatric Bruce Wayne and Jim Gordon coexisting.
The interests of Gordon and Batman only align at the very end of the last chapter. Until then, Gordon is trying to find and apprehend Batman like all the other cops. In fact, Gordon is leading the crusade against the Dark Knight when his bosses still have little interest in it—until Batman crashes their ball.
There are no supervillains yet—only corrupt cops and organized crime. Bruce Wayne, who adopts the guise of Batman only after a bat flies through his window (never heard of that happening), gets off to a rough start. He isn’t yet the phantom nightmare that he will later become, and is still learning his lessons. In his early encounters with criminals, he prevails mostly by being able to take a punch.
Besides Bruce Wayne’s inner monologue being a bit ham-handed, I enjoyed this work. The ham-handed inner monologue is—no doubt–intended to convey that Wayne is a man of thought as well as a man of action, but it’s hard to believe that someone who could transform himself into the Batman would be that riddled with doubt. That said, the dialogue is better written than the typical comic. There’s not a lot of the “As-you-know-Bob” dialogue that often plagues this genre.
If you’re a fan of the Dark Knight, this is worth reading.