Tag Archives: World Literature

BOOK REVIEW: A Short History of Tractors in Ukrainian by Marina Lewycka

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A Short History of Tractors in UkrainianA Short History of Tractors in Ukrainian by Marina Lewycka
My rating: 5 of 5 stars

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This is a comedy of family dysfunction. The family consists of Cold War era immigrants to England from Ukraine. One adult daughter (Nadezhda) narrates the story, which about how her estranged relationship with her sister (Vera) is renewed through battle with a common enemy, Valentina, the gold-digging Ukrainian woman (younger than either sister) who’s moving in with the sisters’ eighty-four-year-old father.

There’re a few divides that generate the story’s tension. First, Vera grew up with war during her formative years, while Nadezhda was a child of the post-war peace. This informs how each sees the world and the other. Vera sees her younger sister as a naïve bleeding-heart socialist, while Nadezhda sees Vera as a cold and distrusting Thatcherite scoundrel. Second, there’s the chasm between established immigrant and new arrival, the former feeling that they kept their heads down, did the work, assimilated, and earned their status as citizens, while feeling someone like Valentina is tricking her way in and expecting to be handed all the perks of first-world living without working for them. Finally, there’s the gap between what a new immigrant expects life is like in a wealthy country, and what it’s actually like. Valentina has a television view of England that assumes the characters she sees are typical.

The story is funny, but occasionally poignant – e.g. as when we learn the family’s war-torn backstory or even when Valentina is shown in a more sympathetic light by our “bleeding-heart” narrator, who waivers between her family obligation self (who despises Valentina) and her socialist-feminist self (who empathizes with Valentina to some degree.)

I’d recommend this book for readers of literary fiction. It’s well-crafted and humorous. But it’s literary fiction, so if you need your characters likable and your plot strong, you may find it a bit dull.


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BOOK REVIEW: Comparative Literature: A Very Short Introduction by Ben Hutchinson

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Comparative Literature: A Very Short IntroductionComparative Literature: A Very Short Introduction by Ben Hutchinson
My rating: 4 of 5 stars

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By the book’s end, I had a much better grasp of the field of Comparative Literature, which is a multidisciplinary subject concerned with comparing / contrasting various forms of literature across time and space (among other ways.) That said, it’s not one of the more friendly of books in this series for a neophyte in need of a grasp of the basics of a field. [I’m a big fan of the AVSI series, and frequently turn to it.]

I attribute the book’s problems to two factors. First of all, the first chapter didn’t feel like it really said anything, and I came away from it with the thought, “So, Comparative Literature is all the disparate things I thought it might be, and more.” I understand why there’s a desire for a broad overview upfront, but it would work better for a discipline that was more contained and orderly.

Second, while it might be the necessary way to tell the story of this discipline, the book spends a lot of space discussing comparisons between literary theorists and what felt like little in comparisons of works of literature. The challenge is that most readers come to such a book with an extensive understanding of major works of world literature, but few people outside the field are familiar with literary theorists and critics. A reader might expect to learn why and how “Don Quixote” would be compared to stories of Jorge Luis Borges or Ovid, but one learns more about how the ideas of Roland Barthes compare to those of George Steiner.

Once I got into the second chapter, I felt I was getting a little clarity on the subject and that the chapter was well organized for learning. In subsequent chapters, I found that there were many interesting ways of thinking about translation of literature, the debates in the field, and the competing ideas about discipline’s future. The book also has a useful further reading section that breaks down the various dimensions of comparative literature a little so that interested parties can find a line of attack to advance their studies.

Ultimately, I think the book helps one get a grasp of the subject, but I’d skip over the first chapter and then go back to it once one has a little confidence that there will be clarity rather than obscurity in store.


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