Tag Archives: Dark Fiction

BOOKS: “Face Meat” by Bonten Taro

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Face MeatFace Meat by Bonten Taro
My rating: 5 of 5 stars

Publisher Site – Living the Line

Release: May 20, 2025

This is a creative collection of fourteen dark and creepy tales. It’s full of monsters, curses, killers, folkloric themes, and death. Many, but not all, of the stories are placed in Japanese settings — e.g. the wild west and 19th century Europe are also featured. (And some of the stories seem to be of ambiguous setting — presumably on purpose.) Most, but not all, of the stories feature supernatural elements.

It’s a translation of a manga, and isn’t reformatted, such that one will need to get comfortable with the “backwards” reading that such books entail. The art is mostly line drawn and lightly shaded black and white, with a few color pages (mostly story covers) in sepia-reminiscent tones.

I found the tales to be taut and disturbing and would recommend the book for readers of horror and dark speculative fiction. It is sexually as well as violently graphic –so, if you’re one of those weirdos who is ok with a severed head but scandalized by an unclad breast, this book isn’t for you.

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BOOK REVIEW: Bone Orchard: The Passageway by Jeff Lemire

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Bone Orchard: The PassagewayBone Orchard: The Passageway by Jeff Lemire
My rating: 4 of 5 stars

Amazon.in Page

Out: June 21, 2022

A geologist from the Geologic Survey is dispatched to a remote lighthouse island to investigate an unusual hole in the rock, and what he finds is beyond expectation.

I must admit, I might have found this book more intense were it not for my own recent reading history. In the past year or so, I’ve read more than one book placing a stranger on a lighthouse island, and so it feels cliché. I can’t say for certain whether it’s truly an overused plot device or a fluke of my reading selections (though they were all new releases.) The lighthouse is a visceral setting by virtue of its isolation, with only an antisocial lighthouse keeper for company.

The bigger challenge for me was the decision to let the art do much of the heavy lifting at the climax of the story. This created a great deal of ambiguity, and I couldn’t tell whether it was purposeful / strategic ambiguity or whether it was just a misunderstanding of what the reader would glean from the rapid succession of stylized panels. The artist did a good job of capturing the stark and frightful imagery necessary to achieve the requisite emotional palette for the story. However, I was distracted by so many questions: “Is this meant to be real or a dream?” “Why does the island work that way?” “What is the story’s base reality?” etc.

The book’s art and premise are good (if overly familiar,) but I felt the story was given short shrift, possibly the author was more focused on the overarching story and not enough on this as a standalone entity. Long-story-short: it’s okay, and maybe as a whole the series will be more promising.


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