Having moved to India, we picked up this book to try to wrap our heads around the vast Hindu pantheon and the myriad myths involving them. There are a huge number of tomes on the subject of Hindu mythology, but far fewer concise commentaries that look useful. We were always on the lookout for a book that would offer a sort of “Hindu Mythology for Dummies” –the quick down-low, if you will.
I can’t say that this book clarified the topic. However, I’m not sure any book could. Hindu mythology is a subject of enormous scope, while being defiant against reducibility. I was about to compare it to the challenge of writing a concise book for neophytes on quantum mechanics, but then I realized that such a book could probably be done much more effectively. For as strange as the world behaves at a subatomic scale, there’s a means to order the story and to simplify it in a way that leaves intact the gist. Along with dry descriptions of ordinary sounding events, one reads stories like that of the deity that popped out of another’s belly-button on giant lotus flower. That’s when the myths become hard to imagine–if one hasn’t been hitting the psilocybin.
That said, I did learn some interesting elements of myth from reading Dallapiccola’s book, and I think it has as effective an organizational scheme as one can hope for. After an Introduction that exposes the reader to Vedas, Puranas, and the Hindu trilogy (Vishnu, Shiva, and Brahma), there are three chapters that revolve around creation, preservation, and destruction. [For those unfamiliar, those three deities map to those processes—Brahma the creator, Vishnu the preserver, and Shiva the destroyer.]
After those three, there are another three chapters. Chapter four deals with myths about delusion, and in addition to describing Vishnu’s role in delusion (maya) it tells a couple of tales (the story of Madhu and Kaitabha, and the story of King Harishchandra.) Chapter 4 discusses the topic of grace and describes the birth of the Ganga, tells the tale of Arjuna and the Hunter, the story of Vishnu and Prahlada, and then offers a bit of insight into Shaiva saints, temple myths, and animal devotion. The last chapter is a brief overview of Hindu Mythology in modern times—especially its inclusion in popular culture.
There is a map (i.e. an India map showing major cities and crucial historical sites) and many pictures throughout the book. The pictures include photos of sculptures as well as reproductions of paintings that are of the deities and key mythical events. As far as ancillary features go, there is a half-page “Further Reading” section and the book is indexed.
This book is only 80 pages, and offers a quick overview. Whether it hits the most crucial material, I can’t rightly say. As I mentioned, there are some interesting tidbits in the book. I’d recommend it for someone looking for a quick overview. However, one should note that there are books that are more oriented toward story and less toward a scholarly level of precision in language that may be more useful for one—depending upon one’s needs.