BOOK REVIEW: The Boys, Vol. 2: Get Some by Garth Ennis

The Boys, Volume 2: Get SomeThe Boys, Volume 2: Get Some by Garth Ennis
My rating: 5 of 5 stars

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This volume continues the Garth Ennis series that takes as its premise that the superheroes are villains and the real heroes are anti-heroes. It consists of two different four-issue stories. The first half (issues 7 – 10 [of the comic series overall]) is the subtitular story “Get Some,” and the back half (issues 11 – 14) is entitled “Glorious Five Year Plan.”

“Get Some” pits the Boys against Tek Knight and SwingWing as the anti-supe team investigates the killing of a young gay man. Tek Knight is a sex-addicted cross between Tony Stark and Bruce Wayne (i.e. wealthy, intellectually-gifted, and without superpowers.) SwingWing was originally Tek Knight’s sidekick, Laddio, but became a marquee character in his own right (á la Dick Grayson’s Robin to Nightwing transformation.) Of course, Butcher and his team, “the Boys,” aren’t social justice warriors out to solve all societal ills, but – instead — are interested in the case mostly for the leverage it will give them over a couple of key members of the superhero group called Payback.

This is a simple story, and perhaps the most thought-provoking part of it is how the characters respond to homosexual individuals. On the one hand, there is Billy Butcher who talks in such un-PC terms that he would certainly be labeled homophobic by anyone hearing him talk, but yet he is both comfortable being around gay people and shows no disrespect in his behavior toward them. On the other hand, one has Hughie, who is very uncomfortable with Butcher’s politically incorrect speech, but is also subtly uncomfortable interacting with gays. As the movie “Get Out” considered whether “soft racism” can be at least as disconcerting as hardcore bigotry, this story considers whether “soft homophobia” isn’t something that presents a more serious long-run threat to better relations.

The second half of the book presents a more intriguing story. In “Glorious Five Year Plan,” the Boys go to Russia to get to the bottom of a case involving an exploding head. [FYI – this has nothing to do with the exploding heads from the second season of the Amazon Prime tv series.] The Boys team up with an old retired superhero from the Soviet days, “Love Sausage,” whose costume is way too tight. The story revolves around a nefarious plot and international intrigue that turns out to be much bigger than was first thought. When Butcher stumbles onto warehouse where about 150 superheroes are hanging out, he knows someone has big plans. The story features an intriguing villain, Little Nina, who is physically tiny but manages to have an outsized menace.

I enjoyed both these stories. It’s nice that each is self-contained. If you like the idea of superhero team-up parodies, this series is worth looking into. If you’ve been watching the tv series, don’t worry that the books will be spoiled, they are very different in many ways.

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BOOK REVIEW: The Boys, Vol. 1: The Name of the Game by Garth Ennis

The Boys, Volume 1: The Name of the GameThe Boys, Volume 1: The Name of the Game by Garth Ennis
My rating: 5 of 5 stars

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If you weren’t familiar with this comic book, you’ve probably at least seen promos for the streaming series adaptation available on Amazon Prime Video. After watched season one, and as season two is currently in release, I decided to give the source material a read. As with “Preacher,” this presents its own challenges in keeping the comic book and series straight. This is because (as with “Preacher”) there is a common cast of major characters, but significant differences in the story and details. That said, the book and series both open in a similar way with Hughie being drawn into the action by a tragic event involving a superhero (A-Train, this team’s version of the DC character, Flash) and Hughie’s girlfriend.

If the description of A-Train as – essentially – the same as the Flash makes the book sound derivative, it is intentionally so. In a nutshell, “The Boys” takes the Justice League and gives the characters nasty personality traits, ranging from pettiness to madness, and then centers the story not on the superheroes but on a group that works to check those “heroes’” power from the shadows (i.e. the titular “Boys.”) So, A-Train is fast like the Flash, but he lacks Barry Allen’s intellect and soft-spoken mannerism, and so – conversely – A-Train is a high school jock dialed up to his most vain and brash form. The other members similarly have unappealing personality traits, and even full-blown dark sides. This divergence between is most intensely seen in Homelander (the Superman of this series, but without the Man of Steel’s perfect moral compass and stoic Midwestern calm,) but even Noir (the Batman of the group) is intended to make Bruce Wayne seem like a well-adapted beacon of light by comparison.

The six issues contained in volume one both tell the tale of Hughie’s reluctant entrance into “The Boys,” and follows him through his first mission as the newly reassembled Boys take on “Teenage Kix.” (A youth superhero group which is to “The Seven” as the Teen Titans are to the Justice League.) Having Hughie in the role of the group’s “everyman” would be an odd choice in real life because it puts a rank amateur on a team of professionals who are already outgunned. From a narrative point of view, however, the appeal is clear. It creates emotional stakes within a group that is otherwise stone-cold killers (if with some positive personality traits to subvert expectations.) Hughie’s naivete and raw fear is particularly necessary in the book because the stakes are somewhat lessened by the fact that the Boys are not as severely outmatched as they are in the series (in the series “The Female” is the only superpowered member of the “Boys.”) The decision to recruit Hughie is explained both by the desperation of the team’s leader, Butcher, and his desire to include someone who is personally driven. There are not a lot of people willing to sign on to take on a two-faced lunatic with the powers of Superman (i.e. Homelander,) and Hughie is uniquely motivated by the tragedy of his girlfriend’s death to go after superheroes who’ve been corporately levered above the law.

The comic is a bit more sexually graphic than the series, though in some ways the series is more viscerally horrifying. (As I mentioned, in the series the Boys – excepting one – are in no way capable of going toe-to-toe with the enemy.)

The art is well drawn and colored and I didn’t have any problems following the happenings conveyed graphically.

I enjoyed this comic as I have with other Garth Ennis works. At least this volume was a bit more lighthearted and not as visceral as the series, but I don’t count that as a good or bad thing. Just different and just appealing to different states of mind. The comic is funny in places and action-packed in others. If you are interested in the concept of neurotic to psychotic superheroes and what it would take to keep them under control, it’s worth giving this book a read.

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