In Eggers’ novel, the Circle is a technology giant that looks a lot like Google + FaceBook + PayPal + Twitter all wrapped together under one corporate roof. Mae Holland, the book’s lead, is a young woman hired into the firm owing to her close friendship with a college roommate turned high level executive at the Circle, Annie. Even though Mae is brought in to work what is called “customer experience” (i.e. customer service) doing seemingly tedious work, Mae is in hog heaven. She left a job doing tedious work in a depressing environment with minimal support, and so this job personalizing boilerplate responses in a fascinating place with the opportunity to move up is a dream. The Circle is a utopian workplace where engineers are given free rein to experiment, where great minds and performing artists come to hang out, and where one gets handsomely rewarded for playing on one’s social media at work. All one needs to thrive at the Circle is a sharp mind and a willingness to accept that one’s days of privacy and solitude are behind one.
The Circle is the dystopia that some would say we are on the cusp of and others think we’ve already plunged into. It’s not Orwell’s gray dystopia of brutal state force. Neither is it Huxley’s bright and shiny dystopia of drugs and free loving. It’s a dystopia in which people willingly give up all privacy and negate the need for a neo-KGB by posting every idiotic thing that they do directly to the worldwide web. However, as in Huxley’s “Brave New World,” we see that the most nefarious character isn’t necessarily the most dangerous. The Circle is headed by an executive trinity. There’s the tech genius who we know little about until the book’s end–except that his life runs contrary to what the Circle seeks in its employees in that he’s fiercely private to the point of being mysterious. There is Tom Stenton who is the face of greedy capitalism, a loathsome character in every way imaginable. However, the real danger comes from the likable–and seemingly reasonable–Eamon Bailey who’s an idealist who thinks that people can perfect if they have no shadows in which to make mischief.
Mae is introduced to us as a likable character. She’s a hardworking but human girl next door. When we are introduced to Mercer, her ex-boyfriend and the face anti-Circle-ism, we assume that she’s being reasonable in her dislike of him. Even though he sounds reasonable, she knows him. Mercer rails against this corporatized surveillance state, and initially one may not be able to tell whether he’s a Luddite or the voice of reason. As the story goes on, however, the reader is likely to like Mercer more and more and Mae less and less. But the question remains until the end whether Mae will do the right thing as she becomes aware of the full—disturbing–picture of the Circle.
I got engrossed in this book. It’s absorbing both because of good character development and an intriguing story. That’s probably why the novel was made into a film that came out earlier in the year. It’s one of those books with the readability of popular commercial fiction, but which provides some food for thought. Some of the twists you may figure out, but the book keeps one wondering until the reveals.
I’d recommend this book for fiction readers—particularly if you have any pictures on social media with a drink in your hand or bad judgement in progress.
The movie trailer, if you’re interested: