BOOKS: How Long Can the Moon Be Caged by Suchitra Vijayan & Francesca Recchia

How Long Can the Moon Be Caged?: Voices of Indian Political PrisonersHow Long Can the Moon Be Caged?: Voices of Indian Political Prisoners by Suchitra Vijayan
My rating: 4 of 5 stars

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It’s no secret that the Gandhian pluralistic vision for India has been taking some hard knocks under the current administration (and the rise of Hindu nationalism that it represents,) but it’s also not as widely and intensely discussed as it could be. This book represents an attempt to make the stories of dissident political prisoners more widely heard.

For that attempt, I would give it high marks, but the execution is problematic. The middle part of the book does a reasonably good job of telling the stories of these individuals. However, the book comes across far too much like a reference book than a journalistic account for much of its length — particularly in the beginning and at the end. The beginning has a long bullet point account of relevant events that I’m sure is meant to give readers an idea of the scope of the problem, but it also sterilizes the information. At the end there are letters and a chapter that consists entirely of data. Letters can be fine, but they aren’t the most evocative way to convey these stories because they contain a good deal of information that is extraneous to the author’s point, and thus the message is diluted.

I do wish supporting evidence was turned up and gratuitous statements turned down a bit. In other words, I assume the government could present a counter-narrative that these are not just dissenters voicing unpopular opinions but rather individuals actively engaged in subversive operations. Granted, the prominence of poets, the ill, and the elderly does make it hard to believe these are some sort of guerrilla warfare masterminds. True, there is a challenge in disproving a negative that makes it hard to prove a person has done nothing wrong.

At any rate, it’s a book I’m glad I read, and I did learn about the issue, but I wish the execution had been better. Maybe that’s for another book.

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BOOK REVIEW: Why I Am a Hindu by Shashi Tharoor

Why I am a HinduWhy I am a Hindu by Shashi Tharoor
My rating: 4 of 5 stars

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There are two core premises in this book. First, Hinduism is non-dogmatic and can be almost whatever a given believer needs it to be, and, therefore, the objectionable elements associated with it [e.g. casteism] aren’t the religion’s fault. Second, Hindu nationalism represents a break from Hinduism’s historical proclivity for acceptance, which (circling back to the first point) results from the fact that believers aren’t forced to accept particular beliefs, thus making it easier to accept that believers from other sects have different perspectives.

Overall, the book’s first part does a fine job of showing how Hinduism has historically been accepting, non-dogmatic, and pluralistic; and the second part neatly describes the many ways in which the Hindu nationalist movement has abandoned those same values – ironically moving away from Hinduism’s open and agreeable nature to adopt the parochial and fanatical ways that they’ve decried in others.

As common among those wishing to glorify religions as faultless, Tharoor does some whitewashing. He argues that casteism (as with other faults) isn’t the religion’s problem, but society’s. However, Tharoor doesn’t make a convincing argument that the caste system could stick devoid of religion’s authority, or even that there’s a clear distinction being made.

When I reviewed Kancha Ilaiah Shepherd’s Why I’m Not a Hindu, I mentioned that I was reading these two diametrically titled books to get a clearer picture of the religion. What I found was that they’re both anti-Hindu nationalist works, though coming from very different perspectives. I did learn a great deal from reading each of the books, though they largely talk past each other as opposed to offering the head-to-head one would expect, given the opposing titles.

I would definitely recommend reading this book, with the proviso that one be cautious for instances of embellishing or glossing over, which – it seemed to me – did take place.


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