Out: January 26, 2021
The unique element of this book is its food-centric premise, and – in particular – the existence of food-based extrasensory perception. The central character, Saffron Chu, is able to read the mind of anyone nearby, if she eats the exact same thing that person is consuming as he or she consumes it. Saffron is part of a criminal gang that conducts high-value burglaries. Saffron’s brother, Tony, has a different (and much grosser) food ESP in that he can get psychic impressions from sampling the deceased at crime scenes (i.e. a bit like “iZombie” but he doesn’t have to eat brains; it can be blood or viscera that he tastes.) [Actually, his power is broader than that in that he can get impressions off of anything he eats, except – for some reason – beets, but the tasting of blood and gore is most relevant to his role in this story.] Tony is a police detective.
The story begins with the crew that Saffron belongs to bungling the burglary of a powerful crime boss. Keeping with the critical role of food, the burglary fails because a city-wide outbreak of food poisoning attributable to tainted chicken strikes part of the crew, and only Saffron and her charming, if douchey, Dick Dastardly-looking boyfriend – Eddie Molay – escape. The rest of the story revolves around Saffron and Eddie trying to survive and escape revenge attacks from the crime-lord who they attempted to rob. As the couple is doing so, Tony and his partner are assigned to solve the murders of the burglary-gone-awry from which Saffron and Eddie escaped, as well as some of the subsequent cases that ensue.
Family is a major element of the story’ tension. The cat-and-mouse between Tony and Saffron is only part of this, though it is a central element of the story. These characters are also put in situations in which they must determine if family comes before the other things they value, and they must cope with the fact that whatever they do happens within a familial context – i.e. they each have to face the shame of the family knowing who they truly are.
The art is whimsical, colorful, and easy to follow. The classic cartoony nature of the drawings is beneficial in maintaining a tone that is lighthearted, despite the many gruesome deaths that are depicted in graphic, but comically absurd ways.
This volume collects the first five issues (#1-5) of the series. I enjoyed the story, which was straightforward and entertaining. The premise of the book is unique, if odd — but better bizarre than cliché.